K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.”
Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature.
In this feature, I’ll be putting on my A&R hat and taking a listen to five randomly-selected K-pop b-sides. I’ll write a mini review for each, including a Bias List rating, and rank them from least to most favorite. The winner will join a special Bias List B-side playlist. Think of it like my own little agency, hand-selecting songs I’d like to pitch to my nonexistent artists!
You can check out all rounds of my Battle of the B-sides here!
Battle of the B-sides: Round Twenty-Seven
Oh My Girl – Real World (2017)
These kind of strummy sing-alongs are perfect for b-sides. Real World isn’t all that flashy or unique, but it’s a fun pop track that bounds with good energy. The verses are a bit forgettable, but the chorus harnesses a great melody and offers a welcome showcase for the girls’ vocals. I enjoy the electronic elements that come in as the second verse unfolds, even if they never amount to much. The bridge also has a nice build, culminating in a walloping power note.
Hooks | 8 |
Production | 8 |
Longevity | 9 |
Bias | 8 |
RATING | 8.25 |
Sistar – Follow Me (2011)
Prior to their emergence as “summer queens,” Sistar’s discography is pretty hit or miss. And for a group with such great vocals, they sure weren’t shy with the autotune. Vocal effects pop up here and there within Follow Me, but I’m more drawn to the electric guitar and stomping beat. The pre-chorus sets us up for major fireworks, but the chorus itself is a bit underwhelming melodically. Still, this is a fun album track that doesn’t take itself too seriously. It’s got some great segments, and when all the vocals come together the song soars.
Hooks | 8 |
Production | 8 |
Longevity | 8 |
Bias | 8 |
RATING | 8 |
GOT7 – Follow Me (2014)
Wow! What are the chances of getting two “Follow Me“s in a row?? This one comes from GOT7’s debut mini, and is sure to polarize opinion. It’s almost intentionally obnoxious, with that sing-song hook grating right from the start. Yet somehow, I find myself embracing the sound. The percussive production certainly helps, utilizing breakbeats for an old-school appeal. The rap is a lot of fun, but my favorite moments occur when the track pulls back and delivers a melodic pre-chorus. For as moody as their music became, GOT7 were always skilled at this playful sound.
Hooks | 8 |
Production | 9 |
Longevity | 8 |
Bias | 8 |
RATING | 8.25 |
Twice – LaLaLa (2018)
Twice have so many great b-sides, particularly from this era. I’d slot LaLaLa somewhere in the middle. It’s fun and very upbeat but comes dangerously close to cloying. I appreciate the shot of positivity, and the buoyant production casts great energy. The chorus is ridiculously catchy. It’s tailor-made for a concert setting, where I’m sure it goes down very well. But although I confidently embrace a lot of musical cheese, I’m not super-enthused with this particular brand.
Hooks | 8 |
Production | 8 |
Longevity | 8 |
Bias | 7 |
RATING | 7.75 |
ONEUS – English Girl (2019)
I’m laughing that this song came up, because it’s one of those b-sides I’ve always considered a guilty pleasure. Seriously, this one is so dumb and I love it for that. Unlike that Twice song, and I guess this is the musical cheese that appeals to me. Truth be told, I did not enjoy English Girl the first few times I heard it. But, that melody is such an earworm and the groove is so satisfying (in a generic 2019 way). I don’t even know if I can describe why this is my highest-rated b-side of the week, but… it is.
Hooks | 9 |
Production | 8 |
Longevity | 8 |
Bias | 9 |
RATING | 8.5 |
My Verdict:
Fifth: Twice – LaLaLa
Fourth: Sistar – Follow Me
Third: GOT7 – Follow Me
Second: Oh My Girl – Real World
First: ONEUS – English Girl
Congratulations to ONEUS’s English Girl – the twenty-seventh winner of my Battle of the B-sides!
Readers, what do you think? Did you discover any hidden gems? Leave your own ranking in the comments!
Nick is the only person I’ve seen say they enjoyed Twice’s B-sides pre Fancy. I’ve yet to check them out but the narrative they were terrible was always interesting to me.
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I mean Twice have some great B-Sides pre fancy era too. ‘Sunset’ immediately comes to mind. Looking back though, Twice have greatly improved their vocals and instrumentals since Fancy era.
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there’s some great ones here and there, especially in their 1st full album, which is a personal favorite of mine
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I’ve heard some pretty good things about Twicestagram. Need to check out and see if I’ll love it as much as EWO
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I liked Twicetagram a lot! Some really great song on there.
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they’ve got some gems here and there but most of their b-sides pre-fancy really aren’t worth a listen
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They weren’t anything special, but definitely far from terrible to me – I enjoy quite a few from pre-Fancy. I definitely agree Twice really stepped up their B-side game from Fancy onwards though.
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People are saying pre fancy b sides are bad like have they not listened to I’m gonna be a star????!!!!!!!!!!!!!!!!! Tasteless!
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HAHAHAHAHA THE ONEUS ONE!!! That is so funny oh myyy i want to thank your A&R hat for that one.
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I wonder if blackpink will ever make an appearance here. I wanna see what you think about some of their songs
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Given the few b-sides they have, the odds are definitely against them appearing (unless I do a pure BLACKPINK week…)
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I like LaLaLa, but ever since it was pointed out to me that the way they sing “clap your hands” sounds like…something else, I can’t stop thinking about it every time the chorus plays. Maybe I’m just immature LOL
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OT: That Robin EP, I don’t think I need to say much else.
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It’s great!!
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Hard to love and Sucker for that love are just *chefs kiss*
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I want this comment to be as unrelated to this topic as my father would want to me…
I am extremely excited for SEVENTEEN’s Rock with You and the new mini-album! The title track sounds killer by the teasers we have been provided so far. The pre-release on tiktok is what makes me ridiculously excited though! That supposed-post chorus is gonna be the end of me and my favorite songs of 2021.
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