A few years ago, I took a look back at my top K-pop songs of 2016 and did some reshuffling. To be honest, that list still needs a couple slight changes to be totally accurate in my current thinking, but rather than be overly fussy I’d like to move onto the following year. 2017’s K-pop … Continue reading
For the second year in a row, I’m rounding out my year-end countdowns with a spotlight on my favorite Japanese dramas of the year. Though I don’t write much about them on the blog, I’ve become a huge fan of Japanese series and tend to give pretty much anything a try. This countdown is divided … Continue reading
Every year at this time, I like to look back at which of my posts received the most views. If nothing else, it’s a good gauge of artist popularity. I know there are readers who take a look at everything I post, but there are also a lot of people who come to the blog … Continue reading
Now that I’ve finished all my K-pop related countdowns of the year (yay!), I liked to take a macro view and determine which specific comeback or debut was my overall strongest of the year. There are always some personal surprises here, but the numbers don’t lie. As before, I took five categories and gave them … Continue reading
Though The Bias List is first and foremost a K-pop review blog, each month I spotlight a handful of “global pop” tracks that have been on my playlist. This culminates in a countdown of my favorite forty tracks of 2023. This year, I’m doing things a little differently. Rather than focus solely on singles, I’ve … Continue reading
Though The Bias List is first and foremost a K-pop review blog, each month I spotlight a handful of “global pop” tracks that have been on my playlist. This culminates in a countdown of my favorite forty tracks of 2023. This year, I’m doing things a little differently. Rather than focus solely on singles, I’ve … Continue reading
To be honest, this year I tended to watch most K-pop music videos one or two times before moving onto the song and leaving the visuals behind. The water mark for music videos has become very high, with the industry churning out cinematic, big-budget works every other day. While many videos could comfortably slot into … Continue reading
In between The Bias List‘s more sprawling countdowns, the end of the year is a great time to spotlight some things that don’t quite fit into my established posts. And sometimes, these things arrive at the very end of the year. Buzz Rhythm Live ’23 was a three-day festival in early November, tied to a … Continue reading
2023 was a weird year for K-pop choreography. There didn’t seem to be too many iconic point moves, even as TikTok challenges continue to necessitate catchy, easy-to-replicate routines. As usual, this is not a ranking of the most technically impressive performances of the year. Instead, here are ten routines that caught my eye in 2023. … Continue reading
Each year, this countdown becomes more difficult to compile. Increasingly, K-pop songwriting has become a team activity. This makes it hard to suss out who exactly is responsible for what, and it also tends to flatten musical perspective and quirk. Even so, I’ve combed through the credits of my favorite 2023 music to find ten … Continue reading
Now that I’ve counted down my top 50 J-pop songs of the year, I wanted to briefly spotlight my favorite tracks that weren’t selected as singles. Technically, I guess some of these could be called “singles,” but I’m sticking with Bias List rules and putting anything without a proper music video on this list. TOP … Continue reading
Today is J-pop day on The Bias List and I’m counting down my fifty favorite songs of the year! You’ll want to start with the honorable mentions and work your way up to the best of the best. HONORABLE MENTIONS SONGS 50-31 SONGS 30-11 SONGS 10-1 2023 YEAR-END MASTERPOST 10. Snow Man – Tapestry Snow … Continue reading
Today is J-pop day on The Bias List and I’m counting down my fifty favorite songs of the year! You’ll want to start with the honorable mentions, but this post will cover songs 30 to 11. HONORABLE MENTIONS SONGS 50-31 SONGS 30-11 SONGS 10-1 2023 YEAR-END MASTERPOST 30. 7ORDER – Who I Am An early-2023 … Continue reading
Today is J-pop day on The Bias List! I’m dropping fifty of my favorite songs from 2023 in one day. You may want to check out the honorable mentions first, but if you’re looking to dive into the proper countdown at once, you’ve found the right spot! Here are songs 50 to 31, presented with … Continue reading
Tomorrow is J-pop Day on The Bias List, with my top 50 songs of the year unveiled throughout the day. Before that, I thought I’d compile some honorable mentions. It was a very strong year, so there’s a ton of music that didn’t quite make the cut for the main list. I settled on twenty … Continue reading
One of the unique features of The Bias List is its “buried treasure” write-ups. I try my hardest to comb through every major K-pop album released each year and when a song catches my ear I highlight it on the blog. This countdown is an encapsulation of those write-ups, ranking my top 40 b-sides and … Continue reading
One of the unique features of The Bias List is its “buried treasure” write-ups. I try my hardest to comb through every major K-pop album released each year and when a song catches my ear I highlight it on the blog. This countdown is an encapsulation of those write-ups, ranking my top 40 b-sides and … Continue reading
By now, Bias List readers know that I wasn’t thrilled with this year in K-pop, and part of that rests on the strength (or lack thereof) of albums. I could barely find any full K-pop albums I loved this year, meaning the structure of this countdown has changed a bit. I still think it’s unfair … Continue reading
Now that I’ve taken a look at the new acts that colored 2023, it’s time to focus on their established counterparts. For me, most K-pop years are defined more by their rookies than older artists, and 2023 was no different. As usual, the criteria is built around these three facets: Quality of work Quantity of … Continue reading
Before I take a look at K-pop’s established artists, it’s time to spotlight this year’s fresh crop of talent! While 2022 was stuffed with girl group debuts, 2023 was dominated by boy groups. The ratio itself is pretty staggering, and much of this is likely due to the various spin-offs from MNET’s Boys Planet series. … Continue reading
The Bias List // K-Pop Reviews & Discussion 